NORMAN ROWLAND GALE

 

A GOOSE AMONG SWANS

NORMAN ROWLAND GALE (1862-1942)

BY
BARRY VAN-ASTEN
                                                                                      
 
‘Diana with her limbs of dream,
Her wavering heart of lily-stuff,
For long had mocked me with the gleam
Too sweet, and yet not sweet enough.’ (1)

 

 

Norman Rowland Gale was a minor British poet and storyteller who is seemingly neglected in recent times or ‘out of fashion’; he is often associated with the fringes of the eighteen-nineties and the young aesthetes such as Beardsley, Richard Le Gallienne; John Lane and the Bodley Head publishing house (two of his poems appeared in volume 2 and volume 5 of The Yellow Book) where he is often mentioned in passing; a man ‘possessed of a pretty gift for turning melodious flowing verse of no originality’ and a familiar figure to many who was ‘rather a big, florid man, who wrote discreetly fleshly poems about pretty milkmaids, and apple-blossom, and rustic junketings.’ (2). In the literary circles of what is often termed the fin de siecle, Gale became quite well known as a poet writing in the modern manner of Clare or Herrick and his books were widely sought after and although he avoided town society as much as possible for he was a ‘passionate lover of the country’, he became talked about and sought after for he was, according to Arthur Warren of the Boston Herald, a  ‘big, handsome, brown-eyed, brown-haired, wholesome fellow, who gives himself no airs of “decadence” as the fashion is with so many of the young literary men in town. Gale hates the town.’  (3)

 

‘I tell you there is Arcady
In leafy Warwickshire.’ (4)

 

 He was born on 4^th March 1862 at Kew in Surrey; his father was William Frederick Gale, (son of Charles and Elizabeth Gale) born in Richmond in 1821 and christened there on 11^th July of that year; William was a ‘master plumber’. Norman’s mother was Elizabeth Pullen born in Chilham, Kent in 1834; William and Elizabeth were married in Richmond in 1857. Their first child was Olive Gale, born in Richmond in 1858, (5) then came Clement Rowland Gale (1860-1934) born in Richmond and baptised at St. Anne’s Parish Church, Kew on 15^th July 1860; next came Norman Rowland Gale (1862-1942) and finally Harold Rowland Gale (1864-1941), born Richmond. Michael Seeney of the Eighteen Nineties Society who has diligently researched Gale, to whom we are all indebted, says that the Gale family ‘lived in Cumberland Place, a row of small houses almost opposite Cumberland Gate of Kew Gardens.’ (6)

Young Norman was a passionate lover of the countryside and a keen player of field sports and as a poet his rustic verse delights in the joys of cricket, the charm and simplicity of children and the beauty of young and lusty milkmaids. In fact, he became an ‘ardent sportsman. With rod or gun, foot-ball or cricket-bat, on the back of a horse, or trudging along a Warwickshire road, he is in his best spirits.’ (7) He collected first editions and was said to have a fine library of rare and exquisite books but had to part with many, something he regretted dearly. When he was 18 Norman Rowland Gale entered Exeter College, Oxford on 22^nd October 1880 and was awarded his B.A. on 14^th January 1884. In the 1881 census both Norman, aged 19 and his brother Clement, aged 21 state their occupation as: ‘Undergraduate Oxford University’, both are single and residing in Caterham, Surrey. Norman’s father, William Frederick, is 58 and his occupation is ‘Gate Porter of Asylum’ and Norman’s mother, Elizabeth, is 46 and the ‘Wife of Gate Porter of Asylum’. (8) The Asylum is the Metropolitan District Asylum for Imbeciles, also known as the Caterham Lunatic Asylum.

Many literary works describe Gale as being a schoolmaster at Rugby and Gale sees nothing wrong in letting this stand uncorrected – ‘Gale lives at Rugby during term-time, although he no longer teaches at the famous school.’ (9) The statement is not quite true, he was a schoolmaster at Rugby, something he became soon after leaving Oxford it seems, but not at the famous public school of Dr. Thomas Arnold who was Headmaster of Rugby School from 1876-1886, in fact, ‘the only school at which we know he taught was Oakfield Preparatory School just around the corner. There are suggestions in correspondence, however, that he may also have coached boys from Rugby for university entrance.’ (10) Oakfield Preparatory School situated at 20 Bilton Road, Rugby, was opened in January 1888 by the Headmaster, Thomas Arnold Wise M.A. (1861-1940) who retired in 1929. There is also some evidence that Gale may have taught as a schoolmaster at St. Sidwell, Exeter in Devon where he turns up in the 1891 census (see note 13) and also at Boston Grammar School in Boston, Lincolnshire, where his first two volumes of poetry, ‘Unleavened Bread’ and ‘Primulas and Pansies’ were published by Dingwall and Wilson at 42 Market Place. In fact, I have found an article in the Boston Guardian of 1884 which confirms Gale was a master at the school – the article is in the ‘wanted’ column and reads: ‘Tuition – Wanted by master at the Grammar school teaching work from the 8^th of August to the end of holiday. – Apply to Norman Gale, Grammar School, Boston.’ (11)

69 year old William Frederick Gale and 57 year old Elizabeth can be found on the 1891 census living in Ringstead Road, Lewisham; William is a ‘retired plumber’ and they have taken in two boarders: Charles F Buckingham, aged 25 and born in London, who is single, and Grace Forbes Cochrane, also 25 and single, born in Gloucestershire. (12) Not long after the census of 1891 William Frederick Gale dies in Lewisham, aged 69 (13). His wife, Elizabeth Gale died in Lambeth aged 63 on 11^th February 1899 (14). In 1900-1901 Norman is living at Avenue Lodge, Ledrington Road in Dulwich.

As a poet much of Gale’s work can be seen as the usual sentimental Victorian slush about childhood where many artists worshipped the cult of the child, the purity and beauty, which to contemporary minds may seem inappropriate but to the Victorian was perfectly innocent. Michael Seeney says that Gale’s love of and sympathy for childhood was ‘qualities which, no doubt, made him an excellent teacher.’ He goes on to say that ‘I recognise the dangers in today’s climate of suggesting that an adult male’s (especially a school teachers’) affection for young people is entirely innocent, and perhaps it never can be. I have found nothing to suggest that Gale took any more than a naïve delight in the presence of young people.’ (15) I most definitely agree with Seeney’s opinion and see nothing harmful in Gale’s charming, if sometimes mawkish verse, yet there are those during his time who thought his poetry, some of which can verge on the sensual or erotic, to be quite vulgar, as in this review from The Artist: ‘Norman Gale seems at present to be dead, dead as the second volume of Gillman’s Coleridge. He has been and so is no more. So long as he was unknown he fashioned for himself pretty verses, which never became poetry but were worth reading all the same. With the printing of his first his first book, he became famous, and the success and Mr. Le Galliene between them killed him. The second volume of The Country Muse was a long fall from the first. With “Orchard Songs” Mr. Gale committed suicide.’ The review goes on to say that ‘not only has Mr. Gale’s verse become excessively bad, but he now thinks coarsely’. (16) The reviewer is referring to poems such as The Shaded Pool which begins ‘The virgins slipping from their robes, / the cheated stockings lean and long, / the swift descending petticoat, / the breasts that heave because they ran, / the rounded arms, the brilliant limbs, / the pretty necklaces of tan.’ (17) One cannot deny the erotic imagery of such a poem with its ‘undraped girls so wonder-sweet’ but I would not call it ‘course’. And again we find from the same volume in the poem A Woman, the lines ‘she is velvet and scandal and lace / and beautiful limbs’ (18) which to my ears ring as perfectly beautiful with deep ‘fleshly’ sensuality. But perhaps the most well known poem of Gale’s to suggest the sexual thrill of observing the sensual form of woman is his poem, Cicely Bathing:

 
‘The brook told the dove
And the dove told me
That Cicely’s bathing at the pool
With other virgins three.
 
The brook told the dove
And the dove told me
That Cicely floating on the wave
Woke music in the tree.
 
The brook told the dove
And the dove told me
That Cicely’s drying in the sun,
A snowy sight to see.’ (19)

 

A rather pompous article on Gale appeared in the illustrated monthly, Pearson’s magazine in 1896 which has a few interesting details on the poet whose ‘love of nature is the mainspring of his songs, and to him sunshine serves as an unfailing stimulant’; the article goes on to say that ‘according to Mr. Grant Allen, “this is an urban age,” and it is remarkable, therefore, that a poet who sings of birds and woodlands, of the loves of country folk, and of such pleasures as are called Arcadian, should have established himself in the poetic ranks, and once more brought rustic themes to the front amid applause. Mr. Gale would not desert Warwickshire meadows for the isles of Greece, and whatever may be the glories of the Ganges, it may safely be averred that they could never tempt him to leave Shakespeare’s Avon for long.

All that need be said of the poet’s personal history can be written down in a few words. He was born in 1862. As soon as he left Oxford he occupied himself in schoolmastering, and continued so to do until three years ago, when he published “A Country Muse”, a book which was, to its author’s great surprise, the recipient of unanimous praise.

His one venture in prose, “A June Romance”, has brought him many friends, and it has again gone out of print. As to his love of sport, is it not proved by his “Cricket Songs”? The fact is, Mr. Gale is an adept in nearly all games, whether those that are played in the house or those of the open air. The young men who desert the national pastime for golf and tennis he has some vigorous remarks to make. All sports that involve the suffering of dumb animals Mr. Gale shuns as he would shun the plague, and he is never tired of trying to implant the creed of mercy in both old and young listeners. Children he adores, and he does not yield to Mrs. Marriott Watson in his love for cats. The former have inspired him to write a book of songs, which have yet to be appear, and the latter have not been altogether neglected by his pen. Mr. Andrew Lang, that inventor of felicitous phrases, in calling Mr. Gale “a kind of Theocritus in flannels”, described him to a nicety.’ (20)

Gale’s love of cats led him to collaborate with various authors on several amusing publications for the publishers, Raphael Tuck & Sons Ltd of London, notably with the well known Edwardian cat illustrator, Louis Wain (1860-1939). Wain was a rather tragic figure who fell into a great depression following the death of his wife, Emily and he was admitted into the Springhil Mental Hospital in 1924 as a pauper and continued to draw cats throughout the remainder of his life in various institutions. Gale also became friends with the ‘midland poet’, Alfred Hayes (1857-1936) who was educated at New College, Oxford and became well known for his volume ‘The Vale of Arden and Other Poems’ (1895); they shared many similar sentiments on nature and the pastoral and they collaborated together, along with Gale’s other friend, Richard Le Gallienne, on a volume of verse – ‘A Fellowship in Song’ published in 1893. In it, Hayes honours his friend with the poem: ‘To Norman Gale’ which begins:

 

‘Friend, whom I met in fruitful days
Rambling amid sequestered ways
Of rustic song,
These flowers, in midland meadows grown
While yet I walked and mused alone,
Pleased to be laid beside thine own,
To thee belong.’

 

Hayes goes on to say that ‘we both have worshipped the pure rest / of Arden’s gently sloping breast’ before ending with a melancholy flourish on the timeless nature of their verse – ‘age will abate the lyric flame, / the grave’s dull tooth consume our name; / but hap what may, / friend, we have captured fugitive / fine joys, whose music will outlive / all the discordant world can give / or take away.’ (21) The poem also appears in Hayes’ volume ‘The Vale of Arden’. Gale also published a volume of verse titled ‘On Two Strings’ in 1894 with fellow poet, Robinson Kay Leather (1865-1895) of University College, Liverpool, a rather pathetic creature who in my opinion was a far greater chess player than he was a poet, (see his ‘Verses’ published by Fisher Unwin. London. 1891) nevertheless, he seems to have got on well with Richard Le Gallienne with whom he published a volume of stories titled ‘The Student and the Body Snatcher’ (London. Elkin Mathews. 1890).

 In 1886, Norman married Charlotte Mary Barnes in West Ham but for some reason in the census of 1891, 29 year old Norman, a ‘schoolmaster’ who is visiting the home of 41 year old Daniel Joseph Wood (1849-1919), an ‘organist and teacher of music’ (22) living in Denmark Road, Exeter, in Devon with his wife Elizabeth and children Kathleen and Dorothy, ages 13 and 12 respectively, states that he is ‘single’. We know that Charlotte Mary Gale died in Kent on 9^th May 1922 and the probate was held on 26^th May and that Norman is the benefactor, so I can find no reason for this. Dr. Daniel J. Wood was organist at Boston Parish Church in Lincolnshire from 1869-1875 and Exeter Cathedral from 1876-1919 and it is highly probable that Norman’s brother, Clement, the organist and composer also knew Dr. Wood as Clement was the pupil of the organist and music teacher, Alfred Angel (1816-1876) who was organist at Exeter Cathedral prior to Wood from 1842-1876.

On Wednesday 14^th December 1898 Gale gave a lecture at Gloucester Guildhall titled ‘The Horizon of Literature’. In 1901 Gale published a selection of poems by the Northamptonshire poet, John Clare (with a bibliography by C Ernest Smith) and one can tell he has a real feel for the ‘labourer poet’ born into a ‘heritage of handicaps’ whom ‘because of his strange manner, his fits of abstraction as well as of uttered enthusiasm, his appetite for solitude, the neighbours passed from mere mockery to whispers of a mind diseased, and even of a nature beset by the black ministers of magic.’ (23) Gale writes a fine introduction to the book and shows his deep sympathy and compassion for Clare and the harrowing poverty he was subjected to before succumbing to mental illness.

In 1913 Gale published a delightful little book called ‘Solitude’ which is a short essay upon the charms of solitude in nature and it is the essence of Gale’s own feelings towards the beauty of escaping to the countryside and immersing oneself in its sensuous surroundings – ‘I have gone to Solitude for a better reading of earth; I have gone in sorrow, I have gone in turmoil; I have known the pang of convulsive truancy.’ (24) Gale achieves an almost spiritual enlightenment with the solemnity of the countryside and looks upon trees, as in fact do I, as having a distinct consciousness, a sentient nature; trees with which he has formed unbreakable friendships.

In 1930 Norman Gale left Old Bilton, Rugby, and moved to Bexhill-on-Sea where he married again on 6^th December 1930 at the ‘Church of Saint Barnabas by Rev. B. H. Davies’ to Miss ‘Edith Margaret Davy of Bexhill-on-Sea’. (25) Norman Rowland Gale died aged 80 on 7^th October 1942 at ‘Connemara’, Carlton Road, Headley Down, Hampshire. The cremation was at Woking on Saturday 10^th October. Under the heading ‘A Literary Loss’, the Hampshire Telegraph and Post said he was ‘well-known as a poet, story-teller, and reviewer, and was the author of many charming books, which included “Cricket Songs”, “Orchard Songs”, and “Songs For Little People”. He formerly resided at Bexhill-on-Sea, but had been living on Headley Down for the past two years. He is survived by his second wife, whom he married 12 years ago.’ (26) [Probate: 18^th November 1942, beneficiary: Edith Margaret Gale]. Norman’s elder brother, 20 year old Clement Rowland Gale also entered Exeter College on the same day as Norman and studied music. B.A. 10^th July 1886. B.Mus. 24^th October 1889. As a boy, Clement was a chorister at Kew Parish Church and later at St. Luke’s Church, Chaterham. After leaving Oxford Clement became organist at Reading School (1885-1890) before becoming a music teacher at John Watson Institute in Edinburgh. It was in Edinburgh, presumably, where he met his wife, Blanche Antoinette Barbara Kunz (born 1^st June 1865 in Edinburgh, Scotland); she was the daughter of Jules Antoine Louis Kunz and Wilhelmina De Dreux. Blanche and Clement were married on 28^th July 1892. Clement went to the United States, arriving in New York on 14^th September 1891 and became organist and Precentor of the Episcopal Parish Church, Calvary, St. George, New York and a founding member of the American Guild of Organists. In the U.S. census for 1930 Clement and his wife Blanche, are living in Manhattan, New York. He died on 10^th May 1934 at the Fifth Avenue Hospital. His younger brother, Harold Rowland Gale immigrated to Australia, living in Brisbane. He married Annie Marie Hicks on 17^th March 1886 and in 1929, aged 64 and a ‘company director’ went to Victoria, Vancouver Island, British Columbia travelling by ship named the ‘Oarangi’. Their daughter, Muriel Maria Dolores Gale, born in Brisbane in 1890, married William George Robertson in Toronto, York, Canada on 1^st September 1915. Harold Rowland Gale died on 20^th May 1941.

 If Norman Gale shall be remembered at all it is for his love of childhood and his sporting enthusiasms but most of all for his adoration of nature where his ‘praise of Warwickshire is that of a true devotee, and in its lanes he dreams of the presence of Shakespeare, and in listening to the songs of its birds he feels that

 

“the bough
Is bending with immortals now,
And gods go large in Warwickshire!”’ (27)

 

 

NOTES:

 

1. Dream and Ideal. Song in September. Norman Gale. London. Constable.1912. p. 12.
2. John Lane and the Nineties. James Lewis May. London. John Land and the Bodley Head. 1936. p. 103.
3. Current Literature: a magazine of record and review. New York. Volume XVII. Jan-June 1895. General Gossip of Authors and Writers. P. 489.
4. Leafy Warwickshire. A Country Muse. Norman Gale. New Series. London. David Nutt. 1893. p. 101.
5. Olive Gale, sometimes known as ‘Alice’ [1871 census] or ‘Clara’, married 24 year old grocer, William Portsmouth Gartell, born in Dorset in 1855 and the son of Joseph Gartell, china dealer, at St Mary’s Church, in Caterham, Surrey on 16^th March 1880; Olive is 21 and her father, William Frederick gives his occupation as ‘plumber’ on the marriage certificate. In the 1881 census [RG11 folio: 32/55 page: 59] William, 26, a ‘Grocer and Proprietor of Coffee House’ and ‘Alice’ [Olive], 22, are living in Kensington.
6. A Six-Foot Three Nightingale: Norman Gale, 1862-1942: Biographical Essay and Check-List. Michael Seeney. Privately Printed. Oxford, for the Eighteen Nineties Society. Rivendale Press. 1998. (41 pages) p. 2.
7. Current Literature: a magazine of record and review. New York. Volume XVII. Jan-June 1895. General Gossip of Authors and Writers. P. 489.
8. 1881 Census for England and Wales. RG11 folio: 806/63 page:2.
9. Current Literature: a magazine of record and review. New York. Volume XVII. Jan-June 1895. General Gossip of Authors and Writers. P. 489.
10. A Six-Foot Three Nightingale: Norman Gale, 1862-1942: Biographical Essay and Check-List. Michael Seeney. Privately Printed. Oxford, for the Eighteen Nineties Society. Rivendale Press. 1998. (41 pages) p. 3.
11. Boston Guardian. Saturday 26^th July 1884. p. 4.
12. 1891 Census for England and Wales. RG12 folio: 521/108 page: 14.
13. Register of Deaths in England. Frederick William Gale. Lewisham. June 1891. 1d 815.
14. Register of Death in England. Elizabeth Gale. Lambeth. March 1899. 1d 217. Probate: 11^th March 1899, beneficiary: Norman Rowland Gale.
15. A Six-Foot Three Nightingale: Norman Gale, 1862-1942: Biographical Essay and Check-List. Michael Seeney. Privately Printed. Oxford, for the Eighteen Nineties Society. Rivendale Press. 1998. (41 pages) p. 3.
16. The Artist. 1^st January 1894. p. 7.
17. The Shaded Pool. A Country Muse. Norman Gale. New Series. London. David Nutt. 1893. p. 21-22.
18. A Woman. ibid. p. 89.
19. Cicely Bathing. Orchard Songs. Norman Gale. London. Elkin Mathews and John Lane. 1893. p. 88.
20. Pearson’s magazine. C. Arthur Pearson. Volume 1. Jan-June. 1896. ‘In the Public Eye’. p. 161-162.
21. A Fellowship in Song. Alfred Hayes [From Midland Meadows], Richard Le Gallienne [Nightingales] and Norman Gale [A Verdant County]. Rugby. George E Over. 1893. To Norman Gale. Alfred Hayes. p. 1-3.
22. Daniel Joseph Wood, born 1849. Educated at New College, Oxford. FRCO 1873, BMus 1874, DMus 1896. Organist at Boston Parish Church (St Botolphs) from 1869-1875. Organist at Exeter Cathedral from 1876-1919. He died on 27^th August 1919.
23. John Clare Poems, Selected and Introduced by Norman Gale with a Bibliography by C. Ernest Smith. Rugby, George E Over. 1901. p. xiii.
24. Solitude. Norman Gale. London. B T Batsford. 1913. p. 35-36.
25. Bexhill-on-Sea Observer. Saturday 13^th December 1930. p. 8.
26. Hampshire Telegraph and Post. Friday 23^rd October 1942. p. 8.
27. The Poets of the Shires: Warwickshire Poets. Charles Henry Poole. London. N. Ling & Co. 1914. p. xix.

 

 

BIBLIOGRAPHY

 

Unleavened Bread: Simple Verses, by Aura [Norman Gale]. Boston. Dingwall and Wilson. 1885.

Primulas and Pansies: Simple Verses by the Author of Unleavened Bread [Norman Gale]. Boston. Dingwall and Wilson. 1886.

Marsh Marigolds, by the Author of Primulas and Pansies [Norman Gale]. Rugby. George E Over. 1888.

Meadowsweet, by the Author of Marsh Marigolds [Norman Gale]. Rugby. George E Over. 1889.

Anemones, a Collection of Simple Songs from Unleavened Bread. [Norman Gale]. Rugby. George E Over. 1889.

Thistledown: Essays Whereof the Tale is Six. Penned in the Studies of Rusticus and One who is a Friend of His. [Norman Gale and Charles H Meade]. Rugby. George E Over. 1890.

Cricket Songs and Other Trifling Verses, Penned by one of the Authors of ‘Thistledown’. [Norman Gale]. Rugby. George E Over. 1890.

Violets, by the Author of Meadowsweet [Norman Gale]. Rugby. George E Over. 1891.

Prince Redcheek. [Norman Gale]. Rugby. George E Over. 1891.

Gorillas. [Norman Gale]. Rugby. George E Over. 1891.

The Candid Cuckoo. [Norman Gale]. Old Bilton. Rugby. George E Over. 1891.

A Country Muse. Norman Gale. London. David Nutt. 1892.

A Country Muse. Norman Gale. New Series. London. David Nutt. 1893.

Orchard Songs. Norman Gale. London. Elkin Mathews and John Lane. 1893.

A Cotswold Village. Norman Gale. Private Printing (15 copies). Rugby. George E Over. (June) 1893.

A Fellowship in Song. Alfred Hayes, Richard Le Gallienne and Norman Gale. Rugby. George E Over. 1893.

A Verdant County. Norman Gale. Rugby. George E Over. 1893. [poems from A Fellowship in Song]

A Country Muse. Norman Gale. First Series. London. Constable. 1894.

A June Romance. Norman Gale. [Privately Printed 1892.] Rugby. George E Over. 1894.

Cricket Songs. Norman Gale. London. Methuen. 1894.

On Two Strings. Robinson K Leather and Norman Gale. Privately Printed. Rugby. George E Over. 1894.

A Country Muse. Norman Gale. Second Series. London. Constable. 1895.

All Expenses Paid. Norman Gale. Westminster. Archibald Constable and Co. 1895.

Holly and Mistletoe. E. Nesbit, R. Le Galliene and N. Gale. Lord Marcus Ward. 1895.

Songs for Little People. Norman Gale. [illustrated by Helen Stratton]. Westminster. Constable. 1896.

John Clare Poems, Selected and Introduced by Norman Gale with a Bibliography by C. Ernest Smith. Rugby, George E Over. 1901.

Barty’s Star. Norman Gale. London and Newcastle. Walter Scott. 1903.

More Cricket Songs. Norman Gale. London. Alston River. 1905.

A Norman Gale Treasury. Selected by Albert Broadbent. Manchester. Albert Broadbent. 1905.

Frolics in Catland. Illustrations Louis Wain. Norman Gale. Raphael Tuck & Sons Ltd. London. 1905.

A Book of Quatrains. Norman Gale. Old Bilton. Rugby. 1909.

The Happy Family. Illustrated by Louis Wain. Prose and verse, Norman Gale and others. Raphael Tuck & Sons Ltd. London. 1910.

Father Tuck’s Annual. Illustrated by Louis Wain. Prose and verse, Norman Gale and others. Raphael Tuck & Sons Ltd. London. 1912.

Kits and Cats – With Louis Wain in Pussyland. Illustrations Louis Wain. Norman Gale. Raphael Tuck & Sons Ltd. London. 1912.

Cats of Many Lands. Illustrations Louis Wain. Norman Gale. Raphael Tuck & Sons Ltd. London. 1912.

Song in September. Norman Gale. London. Constable. 1912.

A Country Muse: A Selection. Norman Gale. Grant Richards. 1912.

Solitude. Norman Gale. London. B T Batsford. 1913.

Country Lyrics, Selected from A Country Muse and Orchard Songs. Norman Gale.  London. Harrap. 1913.

Collected Poems. Norman Gale. London. Macmillan. 1914.

A Famouse Bookshop. Norman Gale. Rugby. George E Over. 1914.

Curly Heads and Long Legs. Stories by Edric Vrendenburg and Others, with 13 verses by Norman Gale. Illustrations by Hilda Cowham. Raphael Tuck & Sons Ltd. London. 1914.

Music in Pussyland. Illustrations Louis Wain. Norman Gale. Raphael Tuck & Sons Ltd. London. 1915.

Merry Times with Louis Wain. Illustrations Louis Wain. Norman Gale. Raphael Tuck & Sons Ltd. London. 1916.

A Merry-Go-Round of Song. Norman Gale. Old Bilton. Rugby. 1919.

Such Fun. Illustrations Louis Wain. Norman Gale. Raphael Tuck & Sons Ltd. London. 1920.

Play Fellows. Illustrations Louis Wain and others. Norman Gale, Hilda Hart, Grace C Floyd. Raphael Tuck & Sons Ltd. London. 1920.

Verse in Bloom. Norman Gale. Old Bilton. Rugby. 1925.

A Flight of Fancies. Norman Gale. Birmingham. Kynoch Press. 1926.

Messrs Bat and Ball. Norman Gale. Old Bilton. Rugby. 1930.

Unpigeonholed. Norman Gale. Bexhill on Sea. 1935.

Close of Play. Norman Gale. Rugby. George E Over. 1936.

Remembrances. Denys Heatherford [Norman Gale]. Torquay. Devonshire Press. 1937.

Brackenham Church. Norman Gale. Oxford. Shakespeare Head Press. 1938.

Love-In-A-Mist. Rugby. Norman Gale. George E Over. 1939.