Friday, 10 April 2020

ERNEST RANDOLPH REYNOLDS


THE ABINGTON ORCHID

ERNEST RANDOLPH REYNOLDS
Ph.D. (Cantab.), B.A. (Lond.)
(1910-1987)

Porcelain is perhaps the most entrancing of all the branches of the Antique Tree.

[‘Guide to European Antiques’. Chapter 2: I, Introduction.
Ernest R. Reynolds. 1963 (U.S. edition. 1964. p. 41)]



Ernest Randolph Reynolds has become a forgotten author, a dusty curio, especially here in his home-town of Northampton where he should be remembered with deep gratitude and affection for he had such love for the town which can be seen by anyone reading his ‘Northampton’ series of books. Scholar, actor, poet, playwright and collector, there seemed no end to his talents, interests and enthusiasms and his humble home at number 43 Wantage Road, in Abington, Northampton, a house on the perimeter of the county cricket ground, has long stood without recognition; one would not know he lived there most of his life until his death in 1987, for there is nothing to honour his presence there. Just an ordinary, Victorian terrace house, originally three bedrooms, front parlour and back room with a coal cellar; one would easily pass it by not knowing what local distinguished person occupied it and who called it ‘home’ and appreciated its architectural features: ‘even the cheapest Victorian terrace houses often contain elaborate front-room fireplaces and a little plaster moulding in the entrance passage or carved stonework outside.’ [‘Guide to European Antiques’. Victoriana: IV, Furniture, Miscellaneous Trifles. Reynolds. 1963 (U.S. edition. 1964. p. 92-93)] In fact, reading his excellent volume on ‘European Antiques’ one is shown many illustrations of his collectibles and if one looks carefully at the photographs in many the wallpaper is consistently the same and it is my belief that these photographs of his collection were taken at his home at 43 Wantage Road.
Ernest Randolph Reynolds was born on 13th September 1910 in Northampton and he was christened on 23rd October of that year.



I.


The Census for 1911 (notoriously inaccurate for its dates of birth and places of birth) shows the Reynolds family are at 43 Wantage Road, Abington, Northampton: Head of the household is Alfred Reynolds, 31 (born 1880, Northampton) whose occupation is shown as ‘clicker’ (1); Alfred’s wife, Fanny Reynolds (nee Roddis), 26 (born 1885, Bucks Stoke Stratford) (2); there is an eight year old son, Alfred Thomas Reynolds, (born 1902, Northampton and christened on 8th July 1902 in Abington), Ernest, not yet one year old, born Northampton and a boarder, Jessie Warren, 47 (born 1864, Northampton) living on ‘private means’.
Ernest’s father, Alfred married Fanny Roddis (actually born 1884, Stony Stratford, Northamptonshire) in the spring of 1902 in Northampton. According to the 1901 Census taken on 31st March, Fanny was living with her family in Abington, Northampton; she is 17 and works as a ‘Gold Stamper’. She lives with her father: Thomas Roddis, 48, born 1853, Thrapston, Northamptonshire who is a ‘Jobbing Gardener’; her mother: Mary, 45, born 1856, Newnham, Northamptonshire; sister: Helen, 24, born 1877, Duston, Northamptonshire who is a ‘Boot Trimmer’ (3) and sister Annie, 22, born 1879, Duston, Northamptonshire who is a ‘Boot Machinist’ (4).



II.


Ernest attended the Northampton Town and County Grammar School, Billing Road, from 1921-1928 and taught at Stimpson Avenue School, Abington, Northampton from 1927-1928. On 1st October 1929 Reynolds applied to the University of Nottingham for a one year course of study: 1929-1930: Intermediate B.A. Oxford Senior Locals – English. While at Nottingham University he wrote his first published poem, ‘Tristram and Iseult’, published in 1930. In the preface to the poem, Reynolds calls it ‘pictorial poetry’ and goes on to say that ‘what respect I have preserved for the sequence of events is largely drawn from Wagnerian treatment of the legend’. (‘Tristram and Iseult’. Preface. p. iii. Nottingham. 1930) The poem is divided into four parts: ‘The Prelude’, ‘The Love Dawn’, ‘Red Poppies’ and Liebestod’ which are each divided into eight line stanzas (sixty-five stanzas in total) each describing in flower and gem imagery, particular scenes from the story; each part is preceded by a short passage in French from ‘Tristan’ by Beroul. The main themes of the volume are the slaying of Marhault, the love potion which brings Tristram and Iseult together, the love affair between them and Tristram’s death. The poem was awarded the Kirke White Prize for poetry from Nottingham University for the year 1929-30.



III.


Reynolds was an authority on several subjects including theatre history and his ‘Early Victorian Drama: 1830-1870’ published in 1936 is a brilliant introduction and analysis of the Theatre and its various styles of the Victorian period: ‘in the age of Shakespeare the current philosophy was really of a pagan kind.’ (p. 4) Reynolds was also a sometime actor with the Northampton Repertory Players (in 1976 Reynolds published his twenty-page, ‘Northampton Repertory Theatre’ which was commissioned by the Players to mark their Golden Jubilee: 1927-1977). His expertise in theatre study made Reynolds an excellent critic and historian of the dramatic arts (his articles were often published in ‘The Stage’ such as Reynolds’ piece ‘Twenty-Five Years of Repertory at Northampton’ which appeared in ‘The Stage’ on Thursday 17 July 1952) and his keen impressions of the modern stage built on the foundations of the early Victorians, are often quite enlightening: ‘it is interesting to trace the influence of the new dance-dramas of Yeats on the similar experiments of Terence Gray… and the subsequent great revival of ballet in England… And if modern ballet could somehow link itself with poetry again and re-establish the partnership of dance-drama on a large scale, then the pioneer ideas of Yeats would indeed have a splendid apotheosis on the modern stage.’ [‘Modern English Drama: A Survey of the Theatre from 1900-1950’. Reynolds. 1949. p. 53-4] Yet he was aware that the theatre did not have the same power as literature when it came to society ‘the building of Utopias has to be left to the novelist and the romantic poet.’ (‘Early Victorian Drama: 1830-1870. Reynolds. 1936. p. 4)



IV.


Reynolds was also a great authority on porcelain and collecting antiques – the ‘term ‘porcelain’ has been very loosely used in the past and applied to many types of paste which are not porcelain in the true sense at all.’ [‘Collecting Victorian Porcelain’. Preface. Reynolds.1966 (1968 edition. p. 13)] He spent his whole life learning and memorising various pottery marks (the Chinese marks he found difficult to remember) and he was under no illusion as to the difficulty of becoming proficient: ‘the neophyte who embarks on the great Ceramic Pilgrimage must certainly be prepared for some hard study’. [‘Guide to European Antiques’. Chapter 2: I, Introduction. Reynolds.1963 (U.S. edition. 1964. p. 42)]



V.


Apart from porcelain and antiques his knowledge also encompassed many forms of the world of art including painting and furniture along with some knowledge of architecture: ‘anyone who looks without prejudice at, say, Millais’ famous picture of the drowned Ophelia, or at some of the charming Tudor-style country railway stations along many English branch lines, or at a fine pair of Victorian Minton or Copeland vases, will have to admit that they have a strong character of their own. The models of the past have merely acted as a spur to the artists, not as a stranglehold crushing liveliness or adaptability to the needs of a fresh age.’ [‘Collecting Victorian Porcelain’. Introduction. Reynolds.1966 (1968 edition. p. 20)]




VI.


Reynolds made some excellent antique purchases in his time, many of which are mentioned in his ‘Collecting Victorian Porcelain’ (1966) and his ‘Guide to European Antiques’ (1963); in the latter he mentions a Fuseli painting of 1792 which was one of ‘three large Shakespearean scenes’ – ‘the other two are a delightfully vivacious Angelica Kauffmann work – the last scene of The Two Gentlemen of Verona where the main characters are assembled in a wood, and an unsigned but very well done episode from the Comedy of Errors against a background of classical architecture’ (‘Guide to European Antiques’. Reynolds. 1963 (U.S. edition. 1964. p. 158) among others which are shown in photographs obviously taken at his home in Wantage Road, Abington, although he does say that ‘no one should want to turn his house into an uninhabitable museum where at every step his visitor knocks against a warming-pan, or curse under their breath as they bump into the seventeenth or eighteenth china cabinet.’ [‘Guide to European Antiques’. Preface. Reynolds.1963 (U.S. edition. 1964. p. 10)]



VII.


In the 1939 Register Ernest, his father Alfred and mother Fanny are at 43 Wantage Road, Abington, Northampton. Between 1940 and 1944, Reynolds was in Baghdad and Lisbon as a British Council Lecturer before returning to England to lecture on English at the University of Birmingham, from 1946-1955. In 1941, probably while abroad, he began writing his ‘fantastic symphony in seven movements’, a long poem in seventeen sections: ‘Mephistopheles and the Golden Apples’ which was published two years later in 1943. In the poem, Mephistopheles tempts Guntram, a don, with the promise of unlimited knowledge; Mephistopheles and Guntram go to Tintagel in section six where they are welcomed by Merlin; in the next section we meet Galahad, Lavaine and Bedivere who each speak in turn. In section nine the story of Tristram and Iseult is sang by the siren and in section twelve several other Arthurian references are mentioned by the ghost of Dante Gabriel Rossetti!
During September 1952, his play ‘Candlemas Night’, a ‘fantastic comedy’ was performed at London’s Royal Court Theatre. The play shows the attempts of Miss Spanheim (Lucifer’s minister in Oxford) in her seduction of three Oxford dons – Dr. Tancred, Dr. Osmund and Dr. Adamastor. The dons are shown how to use cards to conjure the Goddess of Wisdom, the Queen of Spades (Pallas Athene) with the intention of imprisoning her; but she is too clever for them and strikes them dumb. The don’s wives: Sigismunda Tancred, Agatha Osmund and Ines Adamastor try to conjure the Queen of Spades to plead with her for their husbands’ voices to return but they do the conjuration wrong and evoke instead the Knave of Diamonds (Hector of Troy). The play was transformed into a ‘radio play’ for the B.B.C. and on Monday 26 December 1955, on the Third Programme at3 p.m. there was a radio performance of ‘Candlemas Night’. The music is by the composer Malcolm Arnold, conducted by Lionel Salter, and the play was produced by Frederick Bradnum. The radio play is performed again on Friday 30 December 1955 (The Third Programme, 8.55 p.m.) and there is a repeat performance on the Third Programme on 26 February 1956.



VIII.



IX.



X.

Dr. Ernest Reynolds gets a mention on p. 179 of Lou Warwick’s 1960 publication ‘Death of the Theatre: A History of the New Theatre, Northampton’ and in October 1964 an article on Reynolds appeared in the ‘Northampton Independent’: ‘Ernest Reynolds: Strange Facts’ by the journalist Ian Mayes (Northampton Independent. October. 1964. p. 57).





XI.



XII.

In the Summer of 1987 Ernest Randolph Reynolds died. He was still living at 43 Wantage Road, Abington, Northampton. According to Anthony Meredith in his book ‘A-Z of Northampton: Places-People-History’ (2017) Reynolds, in his later years, ‘rarely strayed from his home, an ‘Aladdin’s Cave’. Weeks later the house was broken into and his valuable china figurines, porcelain and priceless antiques were stolen. From reading his published works on porcelain and antiques we know some of the exquisite items he owned, such as the three Victorian Worcester plates (1862-70), a Crown Staffordshire hexagonal vase, a Coalport Rose Pompadour plate, a set of Booth’s ‘scale-blue and exotic birds’, a walnut veneered arch-dial long-case clock (circa 1720’s), a ‘patch period’ Derby plate, a French Ormolu clock (circa 1830), a French silver-plated coffee pot and of course the Fuseli painting of 1792, to name a few items of his precious collection. If the thieves were in possession of his volume the ‘Guide to European Antiques’ they would have a quite accurate inventory of his valuable pieces! He was a man who adored beauty and had a distinct appreciation for aesthetic and charming pieces of art: ‘hideous things were undoubtedly produced (is the present age, however, in any position to cast stones in that direction?)’ [‘Collecting Victorian Porcelain’. Introduction. Reynolds.1966 (1968 edition. p. 24)]
Perhaps some day he shall receive the recognition he deserves!


Published works:

Tristram and Iseult. Nottingham. (1930) Winner of the Kirke White Poetry Prize 1929-30, Nottingham University.
Garin Le Loherain: A Poem. (1935)
Early Victorian Drama: 1830-1870. (1936)
Modern English Literature, 1798-1935, with the addition of three chapters by E. R. Reynolds. Alfred John Wyatt. (1936)
Mephistopheles and the Golden Apples: Fantastic Symphony in Verse. Cambridge. (1943) [written in 1941]
Ines de Castro: Verse-Drama in One Act. (1943)
King Sebastian: Verse-Drama in a Prologue and Three Episodes. Lisbon. (1944)
Pedro and Francisca: Verse-Drama in a Prologue and Four Episodes. Lisbon. (1944)
Vasco de Gama: Verse-Drama in Three Episodes. Lisbon. (1944)
Modern English Drama: Survey of the Theatre from 1900. (1949)
The Plain Man’s Guide to Antique Collecting. (1963)
Guide to European Antiques. (1964)
The Plain Man’s Guide to Opera. (1964)
Collecting Victorian Porcelain. (1966)
Northamptonshire Treasures. (1972)
Northampton Town Hall. (1974)
Northampton Repertory Theatre. (1976)


PHOTOGRAPHS taken from the ‘Guide to European Antiques’ by Ernest Reynolds, 1963 (all page numbers refer to U.S. edition. 1964) showing pieces from his collection and taken, I believe, at 43 Wantage Road, Abington, Northampton:

I.                   Blue and white Chinese Vase on carved wooden stand, decorated with birds and flowers. K’ang Hsi mark. Finely carved Chinese wooden figure of a sage. (between pages 32-33)
II.                Italian water-colour in gilt frame with black surround showing a seated woman, c. 1860. (Between pages 72-73)
III.             ‘Victorian Corner’ with a Majolica Jardinierre decorated in blue, yellow, green, pink and brown. Also notice Mr. Reynolds’ sofa, books and cushions! (between pages 72-73)
IV.             Eighteenth-century Long Case Clock, arch dial, walnut veneer with marquetry motif, elaborately chased cherubs and dolphin enrichments in arch and spandrels, c. 1720. (between pages 72-73)
V.                French eighteenth-century Silver-Plate Coffee Pot. Circular Silver alms-dish with lion-head and rococo-style chasing. (page 88)
VI.             Heavy carved oak seventeenth-century Firescreen with panel of crimson floral damask. (Bought at the Sotheby Sale, Ecton Hall, 1955). (Between pages 96-97)
VII.          Georgian Bowfronted Mahogany 5 ft. Sideboard, c. 1780. (Between pages 136-137)
VIII.       Rare Mahogany Patience Table, c. 1780; Silver Tea Pot, hall marked 1787; Oval Satinwood Tea Caddy, c. 1790; Regency Mahogany metal-mounted Chair, c. 1810; Sheraton Mahogany Self-Locking Cellarette, c. 1790; Silver carved Tankard by John Swift, hall marked 1775. (Between pages 136-137)
IX.             Hepplewhite Mahogany Dining Chairs in their original leather, c. 1780. (Between pages 136-147)
X.                Four Chairs: (left to right): Country-Sheraton Fruitwood Chair, c. 1780; Early nineteenth-century solid Yew-wood Carved Chair, c. 1830; Chippendale Mahogany Chair, c. 1755; Late Georgian Mahogany Chair, c. 1810. (Between pages 136-137)
XI.             Pair of Prints in Black and Gilt frames with the legends ‘I Vanderbank pinxt. 1729’ and ‘G. Kneller pinxt. 1735’ (sold by I. Faber at Ye Golden Head in Bloomsbury Square). (Between pages 152-153)
XII.          ‘The Division of Lear’s Kingdom’ (King Lear, Act 1) by Henri Fuseli. (Between pages 152-153)



NOTES:

1.      Alfred Reynolds was born in Northampton in 1878 (and probably died there in 1942); he is recorded on the 1881 Census as a two year old ‘scholar’ living at Inkerman Terrace in Northampton. In the 1891 Census the Reynolds family are living at Margaret Street, Northampton and the family members are as follows: William Henry Reynolds, aged 42 (born 1849, Daventry, Northampton); his occupation is ‘shoe maker’; Harriet Reynolds, wife of William, aged 42 (born Birmingham, Warwickshire); their children: Henry, 22, shoe maker; Emily, 20, shoe hand; William, 18, born Yorkshire, shoe maker; David, 16, born ‘England’, solicitor’s clerk; Alfred, 13, born Northampton, scholar; Alice, 10, born Northampton, scholar; Nellie, 8, born ‘England’; Fred, 6, born ‘England’ and Florrie, 3, born ‘England’. In the 1901 Census the Reynolds are still in Northampton: William Henry is 52 – ‘Boot Maker’, Harriet is 51, William is 28, (born ‘Leeds’) – ‘Clicker Boot Trade’, David, 26 – Solicitor’s Clerk, Alfred, 22 – ‘Clicker Shoe Trade’, Fred, 16 – Ledger Clerk, Alice, 20 – ‘Boot Machinist’, Nellie, 18 – ‘Boot Fitter’ and Florrie, 13 – ‘Cardboard Box Maker’. As we know Alfred married Fanny Roddis in 1902, but the Reynolds family are still in Northampton during the 1911 Census and William Henry, aged 63 gives his occupation as ‘Licensed Victualer’; Harriet is 63, Fred is 26 and single – ‘Clerk Bedding Company’; Nellie is 28 and single – ‘Machinist Boot Factory’; Florence, 23 and single – ‘Barmaid’; Edith Julia Reynolds, Granddaughter aged 12, born Northampton – ‘Scholar’ (actually: Julia Edith Reynolds, born 1899, Northampton, daughter of Henry Reynolds and Elizabeth Ann).
2.      The Roddis family can be seen on the 1881 Census living in Duston village, Northamptonshire. Fanny Roddis (who probably died in Brixworth, Northamptonshire in 1966) is not born until 1884 but her parents and elder siblings are as shown: Thomas Roddis (father) aged 28, born 1853, Thrapston, Northamptonshire, occupation: ‘Gardener and Domestic Servant’; Mary Roddis (mother) aged 25, born 1856, Newnham, Northamptonshire; Mary Helen Roddis (sister) aged 4, born 1877, Duston, Northamptonshire; Annie Elizabeth Roddis (sister) aged 2, born 1897, Duston, Northamptonshire; also at the address is Anthony J. Speight, a single lodger aged 24, born 1857, Kendle, Westmorland who is a schoolmaster.
3.      Helen, actually born Mary Helen Roddis, 1877, Duston, Northamptonshire. She married a Londoner named Thomas Edward Debnam in Northampton, 1904 and they lived in Duston. ‘Helen’ died in Northampton in 1973.
4.      Annie Elizabeth Roddis was born in 1897, Duston, Northamptonshire. She married Arthur Johnson in Northampton in 1902.

 

Some additional Newspaper Articles:

Ernest Reynolds gave a talk at Northampton’s County Hall on Thursday 27th September 1951, titled – ‘Poetic Drama in England’. The talk was given before the Northampton Arts Association and in attendance was the Mayor (Councillor F. Lee) who is also a member of the Association. (Northampton Chronicle and Echo, Friday 28th September 1951. p. 7)

Also during 1951, Reynolds’ two act, eight scene play ‘The Three Musketeers’ was performed at Northampton Repertory Theatre, premiered on  Easter Sunday 25th March, which was a ‘triumphant Bank Holiday premiere in a packed theatre’; Reynolds also gave a ‘brilliant, modest curtain speech’ which ‘capped an evening of romance and adventure’. (Northampton Chronicle and Echo, Tuesday 21st March 1951. p. 4)

Reynolds – Doctor Ernest Randolph of Abington Park, passed peacefully away at Northampton General Hospital on [Thursday] July 30th, 1987, aged 76 years. Dear friend of Audrey and David Bloor. The funeral service will be held on Thursday August 6th at the Church of St Peter and Paul, Abington 12.15 p.m. followed by interment in the churchyard.  Enquiries and floral tributes to Ann Bonham and Son, W. G. Ward, Funeral Directors, St Giles Street, Northampton. (Northampton Chronicle and Echo, Monday August 3rd 1987. p. 2)

The Northampton Chronicle and Echo also published an article on Wednesday 5th August 1987 (p. 4) saying that ‘Dr. Reynolds had a television play screened in Norway and he worked for the Mercury and Herald, and also the Chronicle and Echo in Northampton…’ it goes on to list some of Reynolds’ books published: ‘Early Victorian Drama (1936); Modern English Drama (1949), Mephistopheles and the Golden Apples (1943); The Plain Man’s Guide to Antique Collecting; to Opera and also Collecting Victorian Porcelain; Northamptonshire Treasures (1972) and Northampton Repertory Theatre (1976). Dr. Reynolds will be buried at the Church of St. Peter and St. Paul, the church in Abington Park, this Thursday at 12.15 p.m. His parents are buried there. Friends agreed that although Dr. Reynolds had many achievements, he was best known as a real character and a great wit.’

‘Tributes to Dr. Ernest Reynolds – poet, lecturer, playwright, journalist, traveller and great character of Northampton, have been pouring in since he died at the age of 76 last week.’ said the Northampton Chronicle and Echo’ (Wednesday 5th August 1987, p. 4) which went on to say that ‘Among the plaudits was one from his friend Maurice Dunmore, classical music critic of the Chronicle and Echo, who described him: “one of the great local eccentrics. Indifferent to his personal appearance, he had a sharp and inquiring mind. Among his loves were Grand Opera and Gilbert and Sullivan. He would sing arias from the former, and tackle lyrics from the latter in the midst of Northampton shopping centre at the slightest provocation. He knew and loved the buildings of Northampton and could show you a new vantage point from which to see them.” Dr. Reynolds crammed a lot into his life. He was born on September 13th, 1910, to parents Alfred and Fanny and although he travelled to improve his mind, he returned to Northampton after the First World War. Before returning he obtained a BA degree at London University in 1930 and a PhD at Cambridge in 1934 which made him a doctor of philosophy. He had served for the British Council abroad in Portugal and worked as the First Principle of King Faisal College, Baghdad. He also lectured in English at Birmingham University and won the Kirk White Poetry Prize from Nottingham University. Dr. Reynolds returned to Northampton where he lived in the Abington Park area but instead of settling down to a quiet academic’s life, he fought against bureaucrats he saw as intent on destroying historic buildings. He was the founder member of the Northampton Civic Society and helped save the Guildhall. He also fought against the destruction of the Emporium Arcade in the Market Square and the New Theatre in Abington Street. Dr. Reynolds never married. The great love of his life was opera and the theatre, and he was awarded a lifelong honorary ticket to theatre in Northampton in 1980.’

Finally, an article relating to the burglary at 43 Wantage Road in 1987 from the Northampton Chronicle and Echo (Friday 4th September 1987. p. 1): ‘Fortune in Antiques Stolen. Callous thieves have ransacked the home of eccentric recluse Dr. Ernest Reynolds – just weeks after his death. Three men posing as furniture removers calmly stole a fortune in antiques from the empty house in Wantage Road, Northampton, while trusting neighbours looked on. They escaped with a priceless haul of china, figures, clocks and rugs – just some of the collectors’ items which crammed the 76-year old doctor’s home. “It was a real Aladdin’s cave worth of antiques,” said police spokeswoman Pat Percival. “The thieves seemed to have known what was there and helped themselves to the most valuable items. The total value of the property is not known but it is thought to be many thousands of pounds.” The burglars struck last Thursday [27th August] morning when they pulled-up outside the house in a Ford Luton removals van, it was revealed today. They told the neighbours they had been hired to clear the house and then steadily loaded the vehicle with a wealth of valuables. Dr. Reynolds died at the end of July. A lecturer, playwright and journalist, he loved poetry and opera and had been known to burst into Gilbert and Sullivan arias in the middle of Northampton town centre to the surprise of shoppers. He did not marry. It is believed his surviving relatives live in Sussex. The red and white removals van, registration number SKU 519S was found abandoned in Manfield Hospital on Wednesday [2nd September] morning and was being examined by police forensics experts. Campbell Square CID are appealing for information from anyone who might have seen the three men – one elderly and the other two younger – or who might have been offered antiques from the haul.’



Locating the Grave of Ernest Randolph Reynolds:

I am grateful to the curate, Reverend Tracy Pegram of St. Peter & St. Paul Church, Abington for her assistance in the matter of finding the grave of Ernest Randolph Reynolds.

The plan below of the section of the churchyard of St. Peter & St. Paul, Abington, shows where the grave is located.

 


 

 


Entering the churchyard from Abington Park (north of the church) and facing the church doors.

 


You will see the Gunning Memorial on your left, the stone monument with a crucifix on top which commemorates all those who fought in the wars.

 


Continue along the path, past the memorials to various members of the Gammage family and in a short distance you will see a distinctive white war grave, its headstone with the RAF symbol surmounting a cross. This is the grave of Flight Sergeant R. L. [Ronald Lewis] York, pilot, Royal Air Force, who died 28th March 1942, aged 22.

 


Behind the headstone of R. L. York is the headstone for Henry William Patrick and Lilian Emily Patrick. Directly behind the Patrick monument, is a tombstone (not upright, ‘Page’) and beyond that is a forlorn, unmarked grass plot. 



This grave is where Ernest Reynolds’ father, Alfred, came to first rest in 1942, aged 63, followed by his mother, Fanny Reynolds, who died in Brixworth in 1966, aged 82. Finally, the cremated ashes of Ernest Randolph Reynolds, author and notable scholar of Northampton, was interred in the grave on Thursday 6th August 1987. It is sad that there is no monument to Reynolds and that he is not remembered today.

 


To further distinguish you are standing at the correct grave plot, you will see in front of you (with the Gunning memorial to your left) an empty space (the unmarked grave of ‘Andrews’) with the monument to ‘Senior’ on your left and ‘Hemmings’ on your right; set back between them is the ‘Warden’ monument.



Saturday, 7 December 2019

Cecil Maitland


CECIL MAITLAND
AN UNWILLING DISCIPLE
BY
BARRY VAN-ASTEN


‘Maitland was a young man who was said to be always trying to commit suicide’
(Stella Bowen. ‘Drawn From Life’. 1941. [1984 ed. p. 121])



Anyone who is familiar with the works of the occultist Aleister Crowley will have come across the name Cecil Maitland as one of the ‘dabblers’ in magick and apparently one of the many beings of little substance wounded by the First World War and hiding their remains in the hedonistic superficiality of Bohemia; one of the many wrecked lives that drifted towards Crowley and his Abbey of Thelema in Cefalu during 1921. Little is known of Maitland and what is known has come from second and third-hand reminiscences contained in various publications and biographies, mostly associated with the writer Mary Butts who became Maitland’s lover, in fact, if it were not for Butts there would be very little source material on Maitland and one could be forgiven for believing that perhaps he never really existed at all! But what information on Maitland which has survived appears to be conflicting and erroneous; even Nathalie Blondel who has written a fine biography of Butts falls under the same spell as others when it comes to Maitland’s birth and heritage. With this in mind I set out to investigate the mysterious Maitland to either confirm or deny some of the allegations as to his background.
The author, Douglas Goldring (1887-1960) states in his hugely interesting ‘South Lodge: Reminiscences of Violet Hunt, Ford Madox Ford and the English Review Circle’ that Cecil’s maternal grandfather was an ‘eminent Presbyterian’ and that Cecil’s father was an ‘Anglo-Catholic clergyman who for years lived perilously on the brink of Rome’ and that ‘as a young man Cecil went out to Malaya to plant rubber and acquired a taste, which never left him, for Singapore gin slings. He was in the Black Watch during the war of 1914-1918 and was, I believe, severely wounded at Galipoli.’ (1) Cecil Maitland, although it is hard to believe when one looks at his life, certainly was an infantryman during the Great War and there is every indication to suggest he was indeed wounded in some manner for the years following his military service he was continually at odds with himself and pre-disposed to attempting suicide; I also believe that Maitland inflated his own importance and was not averse to straying from the truth when it came to his ancestry, perhaps it is another indication that he suffered some sort of mental affliction or breakdown following his time in military service. For example, we are told by Goldring, an author who seems to have perpetrated much misinformation on Maitland, that the monocle-wearing Cecil, that ‘lovable but dilapidated Scotch “aristocrat”,’ (2) was ‘at one time only separated by two lives from the Earldom of Lauderdale’. (3) The Earldom of Lauderdale has a long ancestral line of the Maitland family, yet I can find no evidence as to the efficacy of the statement.



THE ‘RAISING OF DEVILS’


‘His character was charming as few other men I ever met. His
talent for writing, though limited by his moral weakness to
trivialities, possessed many admirable qualities. His expression
was simple and effective, and his fascination undeniable.'
(Crowley on Maitland. Confessions. p. 881)

Goldring also tells us that ‘everything to do with esoteric religion and its practitioners, everything to do with Magic – black or white – had a peculiar fascination for Cecil, in spite of the fact that he was naturally sceptical and like most Scots, hard headed. As a boy, scarcely out of his teens, he had attended a Black Mass in Edinburgh, and found it a dull performance. When I first met him he had for some time past been indulging – in his basement-bedroom at Belsize Park Gardens – in various experiments for the raising of devils. Pentagons and magic circles were chalked on the floor.’ (4)
Whether he was hard-headed or not, Maitland was certainly not Scottish. He was born James Alexander Cecil Maitland in the spring of 1892 in Church Stretton, Shropshire. (5) His father was Ernest John Winslow Maitland, born in Toronto, Canada in 1857 and his mother was Annie Barbara Lowson Roberts, born in Hampstead, London in 1862. (6) Ernest and Annie were married on 29th March 1891 at St Saviours Church, Southwark, in London. (7) During 1891 Ernest and Annie are boarding with the Cook family at Victoria Building in Church Stretton. (8) Ernest is 34 years old and a ‘Clerk in Holy Orders’. Another son was born to the Maitland family in Church Stretton in 1893 named after his father, Ernest John Winslow Maitland; he died in 1916 aged 23. (9) However, there is a Scottish connection on his mother’s side as her parents were born in Scotland. During 1871 the Roberts family are living in Marylebone, London, Cecil’s mother, Annie Barbara Lowson Roberts is 8 years old and living with her mother, Mary A Roberts, a ‘Minister’s wife’ aged 37, born in Scotland in 1834 and Annie’s four brothers and her six sisters, one of which is Katherine E Roberts. (10) We find Cecil staying with his Aunt Katherine and her husband William David Cruikshand at the time of the 1911 census in Chingford, Chigwell, in Essex. Cecil is single, 19 years old and his occupation is given as ‘Rancher’; his Uncle William is 47, a ‘medical practitioner’ born in Sydney, New South Wales in 1864; Aunt Katherine is also 47 years old. There are two domestics living at the household: Louisa Ellen Gall, a single, 26 year old cook, born 1885 in South Woodford, Essex, and Emily Victoria Rose Checkman, a 15 year old housemaid, born 1896, in Northfleet, Kent. (11)
Maitland served in the infantry during the First World War from 1914-1916 in Princess Louise’s (Argyll and Sutherland Highlanders). (12) On 3rd April 1915 Cecil was made a Second Lieutenant (13) and in 1916 he was in Edinburgh, aged 24 serving with the London Regiment, 4/3rd Battalion (Military Reg: 5635). (14)


MARY BUTTS

‘I love Cecil because of the delicious state he evokes in me.’
(Mary Butt’s Journal. 11th December 1920)

Mary F. Butts (1890-1937) whom Crowley referred to rather unflatteringly in his ‘Confessions’ as a ‘large, white, red-haired maggot’ (p. 878) was a minor modernist writer whom nobody seems to read, anymore, though her work is worth searching out.
Mary, who was bisexual and had previously been in a two year relationship with a woman named Eleanor Rogers, who became violent at the thought of losing Mary, was married to the poet and editor John Rodker (1894-1955); during the First World War John was a Conscientious Objector in hiding from the conscription and served time in prison because of it; they had married in 1916 but it appears that John did not satisfy Mary sexually and she wanted an ‘open marriage’.
Mary first met Cecil on the evening of 3rd January 1920 when she visited a fellow writer and friend named Sally in Bayswater, London. Living with Sally was her lover, Cecil Maitland, and they all read their stories to each other. Mary and Cecil found some sort of occult sympathy in each others’ natures and over the coming months grew closer together, Mary affectionately calling Cecil ‘Sandy’; they spent much time discussing various aspects of the esoteric arts, such as the ‘Abyss’ on 6th February – ‘Maitland has looked into it…’ (15) In fact, by February ‘she had realised the extent of Cecil Maitland’s knowledge of magic’. (16)
By March 1920 the two lovers were deep in their magical studies, Mary practicing automatic writing and reading a huge amount of occult literature from Eliphas Levi to the ‘Sacred Magic of Abra-Melin’ – on 29th March she declared: ‘Maitland and I are in love with the 4th Dimension’. (17) On the same day the two adepts seal their union in blood – ‘I made him fetch a corn razor, & slashed a cross on his wrist & on mine. 3 slashes to each in my eagerness to draw blood. We sucked each other’s cuts & kissed them, & lay back licking our own wrists.’ (18)


‘These weeks I have been hindered waiting a formula. These books on
occultism with their bastard words, credulities, falsities on facts, 
emotion & aesthetic falsities, inwardly revolt me. Maitland and I 
have a mutual imaginative dislike for the Cabala.’
(Diary: 21st April 1920. ‘The Journals of Mary Butts’.Blondel. p. 149)


Mary became more and more infatuated with Cecil who would come to live with Mary at 43 Belsize Park Gardens in London – ‘Lately I have dreamed of Cecil (he is sitting beside me) as my lover – each time, with less & less inhibitions. To-day I want it while he is here’ (19) and ‘I’m satiated with the thought of his embraces. I want to lie with him in that room & leave there a patch of ivory & gold.’ (20)
The actress Elsa Lanchester (1902-1986) famous for her portrayal of the ‘bride’ in the horror classic ‘The Bride of Frankenstein’ (1935) was also lodging at 43 Belsize Park Gardens during the time Mary and Cecil were there and she writes of Maitland in her autobiography, ‘Elsa Lanchester, Herself’ (1983), that ‘at the time Mary was living with a man called Cecil Maitland, who was thickset with rather red skin and black hair. He was either drunk or seemed to be most of the time, but maybe he was sniffing something. I didn’t like Maitland at all. He frightened me. Once, in a playful manner, I suppose, he pulled me onto their studio bed by the hair. I gave him the knee in the groin and he laughed it off. We were all having tea at the time in Mary’s studio.’ (21) Elsa goes on to say that ‘for a short time there was a tenant called “The Lady in Red”. She was the companion of Aleister Crowley.’ She even relates how once she came face to face with the Great Beast himself – ‘I saw Aleister Crowley when he came to the house at Belsize Park. He had a bicycle and his head was shaved. He was wearing a yellow kilt… I helped him find The Lady in Red. She was down in the kitchen, stirring a large pot on the stove. It could have been stew or dirty washing.’ It appears that Elsa became troubled by the behaviour of Mary and Cecil, for she states that they ‘were sometimes very odd, and I went to visit them at teatime less and less often.’
On 10th November 1920 John and Mary’s child Camilla Elizabeth Rodker was born but already the marriage was in trouble and slowly disintegrating. On 6th May 1920 Mary had written in her diary: ‘there are two reasons why my love for Cecil is not physically consummated yet. Because of the child…’ by December 1920, there was nothing stopping them becoming sexually intimate. Previously, on 5th July 1920, Mary mentions in her diary that she had told her husband John how ‘near “physical” my relations with Cecil had been.’ (22) Also it is worth noting that in July 1920 Cecil had been very ill and Mary was concerned for his health after a friend of Cecil’s named Johannes committed suicide – ‘temporarily insane is what Cecil may very well become.’ (23) Mary says on the 6th of August that following the suicide of Cecil’s friend, she ‘found him shut up, with a secret confidence, like a man with his arms round a stone.’ (24)
Through diligent research I have discovered the identity of Johannes or ‘J F’, Cecil’s friend who committed suicide. He was in fact a young man named Johannes Jacobus Fagan, born on 22nd February 1898 in Tulbagh, South Africa; the son of Henry Allan Fagan (1865-1931) and Catharina Susanna Fagan, nee Smith (1864-1937) who were married in Tulbagh on 22nd March 1887. Johannes was a student at the Royal College of Music in London, enrolling in 1916 (he returned back to South Africa after just two terms, staying for two years under ill health); during his second period of study he became a student of Vaughan Williams and was deeply affected by the sudden death of his English fiancée from Influenza in March 1920. Johannes committed suicide on Tuesday 13th July 1920, aged just 22; he was found ‘dead on his bed’ by his landlady at 13 Colville Road, Bayswater, London, having what states on the death certificate, ‘swallowed Cyanide solution poison’. (25)


2.40 a.m. I am waiting the last four minutes for peace.
At 2.45 I shall take the leap to the great beyond… A
minute and a half and I must pour out the draught. Can
it be that all this suffering is nearly over. Good-bye, good-
bye, friends all.’

(The Kensington Express, Notting Hill and West London Examiner. 
Friday 23rd July 1920. ‘A Student’s Suicide: his letter to the coroner.’ P. 3)


In August 1920 Mary and Cecil were staying at Welcombe House, Bude, in Cornwall where Mary says in her diary on 11th August that he has a ‘violent suicidal impulse. Perception of J F [Johannes, who committed suicide] as an infuriated devil demanding that he instantly destroy himself.’ The next day she notes that he is ‘exhausted – like a man who had been fighting for his life.’ (26)
Mary and Cecil perform a séance using a planchette on 18th August 1920 and the next day Mary writes that Cecil is ‘a man under a doom. He has had from his childhood the perception of the dark place in reality, what we call the “Abyss”.’ Cecil’s despair deepens for Mary writes in her journal on 27th October that Cecil told her that ‘for the past weeks he had been crazy with desire for suicide.’ The loss of his friend Johannes played on Cecil’s mind continuously and even haunted him, for on 17th November he told Mary about his suicide attempt around the time of Mary’s daughter being born when he took poison, ‘a bottle of chlorodyne’ and six grains of cocaine which ‘half killed him’. Crowley makes light of this incident in his ‘Confessions’ saying that ‘I heard that he swallowed a bottle of poison – not even a decent poison, such as a self-respecting suicide might be expected to use. I forget the precise ingredients. I think it was some sort of disinfectant, such as is sold without restriction because legislatures had failed to imagine anyone asinine or abject enough to make it a beverage. The luck still held. I don’t know whether it disinfected him, but it certainly made him as sick as a sewer.’ (27) Cecil attempted suicide again on Sunday 19th December 1920 when he tried to shoot himself with his friend Johannes’s revolver and was taken to Paddington Hospital in London. Once again Crowley had an unkind word to say about it – ‘He had tried to shoot himself in the heart with a revolver. One would imagine that it would have been safe to bet on his doing some damage. But no! His pistol was spiritually his twin. The bullet thought that it might hurt itself if it happened to hit a bone, so it skipped nimbly round his ribs and sought repose from the tribulations of existence in a comfortable cushion.’ (28)
The incident is also told by Cecil’s friend, the Scottish lawyer and translator, Brian Lunn (1893-1958) but Mr. Lunn tells a very different story suggesting that it was a suicide pact between Maitland and himself; it is worth quoting: ‘On his saying that he [Maitland] had an old revolver of his father’s and some cartridges at home, we decided to go there later in the evening and toss up, the loser to do the shooting… Maitland tossed up and lost, but instead of shooting me he put the gun to his own left breast and fired. He staggered back on to the divan and groaned. Then he got up; his waistcoat had a hole about an inch in diameter with sparks… I did not see Maitland until he came out of hospital, when he told me that the doctor had to call the police as there had been shooting, and that they had accepted his explanation that he was fiddling with the old revolver when it went off by accident.’ (29) Lunn was another damaged man by war and therefore this account cannot be wholly reliable.


OCCULT PERSPECTIVES


‘A sensual intelligent boy, clairvoyant but only to the “dark 
perceptions”. Suggestible - …because of a certain pace and madness 
in him, he worked average preoccupations to intensity… 
I know what followed – his ghastly illness, drink, cocaine, 
more brooding, more agony, a feeling round after death…’
(Mary on Cecil. 3rd January 1921. Mary Butts:
Scenes from the Life. Nathalie Blondel. p. 95)

Matters came to a head in February 1921 when John left Mary; the two determined occultists went to Swanage of all places yet letters from John pursued them, being particularly abusive against Cecil. Mary had had enough and handed her wedding ring to Cecil so that he may hurl it into the sea, a grand and romantic gesture to break the matrimonial bond with just a touch of magic about it; it was stormy, as it should be with all grand gestures. ‘He went out. When he came back and said “it is done”, a cold breath blew across me. I thought John was a demon.’ (30)
In March 1921 they travel the continent, and in Paris where Mary declared ‘I am now going to have the best part of my life’, they met the artist Nina Hamnett (1890-1956) who knew absolutely anyone who was anyone worth knowing!
Crowley was wandering around Paris like a ghost in search of a house to haunt when Nina Hamnett told Mary and Cecil about the occultist and his Abbey in Sicily
Crowley ‘stayed in the Rue Vavin at the Hotel de Blois. I asked him if I could bring some friends to see him and he asked us to come in one day before dinner and have some cocktails. He said that he had invented a beautiful cocktail called Kubla Khan No. 2. He would not say what it was made of.’ (31) Apparently the cocktail, which contained gin and vermouth, also consisted of Laudanum in a bottle marked ‘Poison’ – it was ‘supposed to be an aphrodisiac but it had no effect at all on any of us except Cecil Maitland, who was there also. After we left he rushed into the street, and in and out of all the cafes behaving in a most strange manner, accosting everyone he came into contact with.’ (32)
On 11th March Crowley initiated Mary in the 1st degree of the O.T.O. (33) and on 18th March Crowley taught her the Gnostic cross; she also makes the observation that ‘Cecil needs magical protection’, but before Crowley left for Sicily he also taught his anxious new disciples in the making other magical practices such as yogic asanas (postures), pranayama (breath control) and mantras as well as astral travelling. He obviously saw in Maitland an intelligent man worth cultivating with a great enthusiasm for magick much as he had seen in Victor Neuburg and would see again later in Raoul Loveday, despite such men’s obvious failings; in the case of Maitland Crowley found that the fundamental root of his weakness was the lack of any will-to-live which was absent and through magical training a fine and disciplined magical assistant could be made. In fact, he saw both Cecil and Mary in great need of his magical assistance and tuition, saying they were ‘both in very bad health and very hard-pressed for money.’ – ‘They therefore came to me. With my invariable optimism, I picked out all the promising points and overlooked the faults, or promised myself that I could easily correct them. Their wretchedness kindled my pity and I invited them to spend their summer in the abbey at Cefalu. I really believed that a month or two of simple life, free from temptations and distractions, with the quiet discipline of our regulations, might put them on the right road.’ (34)
By 6th April Crowley was back at the Abbey of Thelema in Cefalu like a beetle returning to his dung heap, but the truth of the matter was that he was bored and in search of magical stimulation, which would not be too long coming.
At the beginning of June 1921, following a few days when Cecil became ill with some sort of eye problem, Mary and Cecil had decided to join Crowley at the Abbey of Thelema! Mary wrote to her husband John Rodker on 1st June: ‘Cecil and I have something particular to do together… I’m going South to Sicily with him to find out what it is.’ (35)



Mary Butts and Cecil Maitland
Italy 1921




THE ABBEY OF THELEMA


‘Some day I shall be an adept.’
(Mary Butts Diary: 12th April 1920)


In late June 1921 the two ‘adepts’ left for the Abbey of Thelema, Cefalu.
Life at the Abbey was certainly not what they expected, in fact, Mary was decidedly concerned about the lack of proper sanitation; Cecil probably had other concerns on his mind, such as the lack of cigarettes because Crowley ‘offered us every drug in and out of the pharmacopaea, and tried to take away Cecil’s cigarettes. This to a man who had recently cured himself of what looked like dipsomania and had reduced his count of fags from fifty to twenty-five a day.’ (36) It appears hashish, cocaine and opium were perfectly acceptable and freely available at the Abbey! They would have to rise at dawn and perform their yogic asanas (postures), go on ‘astral journeys’ and meditate upon magical symbols while perhaps listening to a lecture by Crowley on certain techniques, along with keeping an open diary of all their thoughts and studies.
‘The day following his arrival, Cecil went for a swim in the bay (the Caldara) with the Beast, who seems to have tried his best to drown him.’ (37).Crowley has an altogether different story to tell and perhaps a more accurate one:
‘They arrived.
The very next day I got the shock of my life. I must mention first that, some time earlier, Maitland had had some sort of job mining or planting in the East. On his journey out, his ship was standing off Colombo pending quarantine inspection. He was sitting on the rail talking to a girl. Suddenly he fell backwards and was pulled into a boat by Singhalese pedlars who had no consideration for the perfectly justifiable feeling of the local sharks, or any philosophical care for the welfare of humanity.
He [Cecil] told this story to excuse his aversion to water. It was, however, of vital importance to his health that he should learn to swim. We went down to the Caldara alone, took off our clothes and started round the rocks. I showed him how to proceed without the slightest need for swimming, by letting the water take most of his weight, and using his hands to hang onto the large convenient knobs of rock which abound everywhere. He showed the most abject fear, but I supposed that a few minutes would give him confidence. On the contrary his terror increased and I had infinite trouble to get him to come even a couple of hundred yards. We reached the breaking point. He found a ledge, scrambled ashore and shivered. I gave up and swam back. I dressed and smoked. No sign of Captain Webb. I climbed to the top of the cliff, where I could see the whole edge. There he was like a cat on hot bricks, with all due apologies to the feline race. He had chosen to try to find an overland route, stark naked on sharp rough rocks – and there really wasn’t a way. He reached, at last, a cave, which possessed a fairly broad opening above water, so that I could throw him his sandals. He had merely to walk home on a broad flat shelf which would not have asked him to wade more than waist high. But he insisted on the most excoriating and dangerous scramble across slimy crags. An hour or so later, he finally got to his clothes. The unfortunate wretch was bleeding all over. We then walked home and he took occasion to thank me for the most unpleasant afternoon he had ever spent in his life.’ (38)
Symonds also says that the next day after the near drowning – ‘the ceremony of preparing the Cakes of Light took place’; this was at 2 p.m. on 5th July 1921 and it lasted over two hours: the Banishing Ritual of the Pentagram was performed before, as Crowley states in his ‘Magical Record of the Beast’ for 5th July, ‘a young cock’ was ‘baptised Peter Paul into the Catholic Church by C. J. A. Maitland, the son of an apostate Romish Priest, and therefore the ideal ‘Black’ Hierophant. Mary Butts and I are its sponsors. Peter and Paul are the founders of the Christian Church, and we want its blood to found our own church.
Alostrael [Leah Hirsig, the Scarlet Woman] then dances against the will of Mary, on my swearing to give to her the half of my Kingdom. She demands P. P.’s head on the Disk.
I behead him, and the blood is caught in the silver ‘charger’ on the Disk. In this charger is the meal etc. for the Cakes of Light, ready except for the blood.
I conjure the spirit of P. P. to serve these Cakes to found our Church with, as we may use them.
The cock is slain in honour of Ra-Hoor-Khuit, who is invoked before the killing.’ (39)
Mary (whose magical name was Soror Rhodon) declined the Cakes of Light (the Thelemic Eucharistic Host) when Crowley offered it her which caused her to remark later that Crowley offered her a ‘goat’s turd on a plate’, which indeed it was – ‘In my Mass the Host is of excrement, that I can consume in awe and adoration.’ (‘Magical Record of the Beast’. 5th July 1921) Following the ceremony Cecil and Mary both took their Oath of Affiliate and signed the Abbey’s record.
On 7th July; Crowley reads Mary and Cecil’s destinies in the Yi King.
At the end of the summer (1921) the Thelemites at the Abbey conducted a ceremony involving a goat; Leah Hirsig acted as Priestess who presented herself to the goat in an act of sexual congress. The goat, with what little dignity was left, showed good taste and declined the advances of the Scarlet Woman and refused to mount Hirsig. ‘To save the ritual from utter failure, Crowley took the goat’s place with Leah, as he recorded in his diary: “I atoned for the young He-goat at considerable length.”’ (40) Mary and Cecil were witness to the attempted ritual intercourse by the Virgin He-goat upon the Body of Babalon [Hirsig] and when Crowley cut its throat and the blood spurted over Leah’s back, Leah turned to Mary and asked her ‘what shall I do now?’ and Mary casually replied: ‘I’d have a bath if I were you!’

‘C(ecil) M(aitland) said last night: they are making a sacrifice of personality to personality. He said that it makes A(leister) C(rowley) tragic because he is kind, wise, honourable man crucified by his belief in his own teaching.[‘Journal of Mary Butts’. Cefalu, 1st August 1921]

On 14th September 1921 Mary and Cecil signed their  Probationers’ Oaths. Two days later on 16th September they left the Abbey of Thelema and returned to Paris.



TWO GHOSTS HARDLY RECOGNISABLE


Part of the problem at the Abbey which attributed to Mary’s disillusionment of Crowley and his magick was the fact she believed Crowley was attempting to come between Cecil and her which certainly makes sense; Crowley saw much of Maitland’s failings as a man due to the nature of the relationship with Mary, draining him of energy like a vampire. Perhaps there was some truth in this as Cecil seemed to be subordinate to Mary who almost always seemed to get her own way. In Paris they met their friend Nina Hamnet, who commented that they looked like ‘two ghosts and were hardly recognisable.’ (41)
By 28th September 1921 Cecil and Mary are back living in London at 43 Belsize Park Gardens, terrifically damaged by the Cefalu experience and with sizable drug habits. They had ‘emerged from their sojourn with him [Crowley] considerably shaken and in poor health. Neither of them discussed their experiences, and when Mary was asked, by ribald friends, “what happened about the goat”, she always changed the subject.’ (42)


WHAT HAPPENED ABOUT THE GOAT?


Mary Butts, Cecil Maitland and Douglas Goldring,
Paris 1922


In February 1922 the Scarlet Woman, Leah Hirsig visited Mary and Cecil at 43 Belsize Park Gardens, staying a while before leaving on 27th February – the grip of Crowley was reluctant to relinquish his ‘adepts’. Mary and Cecil still practiced magic together, performing séances, automatic writing and astral travelling and even using (which seems almost incomprehensible to any sane magician) the squares of Abra-Melin.
On 12th May 1922 Mary, Cecil and a few friends went to visit Badbury Rings and five days later they were back in London before going off to Germany and then Paris in early June when Cecil, deep in fever, succumbed once again to suicidal thoughts and took an overdose of veronal [a barbiturate]. They encountered Leah Hirsig in Paris who was seeking financial help for Crowley back in England. In Paris on 13th June Mary notes that she and Cecil had both stopped using heroin, but on their return to London they quarrelled over drugs – when Mary met Cecil in 1920 he introduced her to opium and she smoked it for the rest of her life.
Crowley’s novel ‘The Diary of a Drug Fiend’ was published in the autumn of 1922 and he based his characters of Peter Pendragon on Cecil and an unnamed character upon Mary, ‘a fat, bold, red-headed slut.’ They both felt insulted, particularly Mary who went to the Press and related with relish the filthy goings on at the Abbey in an anonymous interview; it was published in The Sunday Express on 26th November under the headline: ‘Complete Exposure of “Drug Fiend” Author’.


ULYSSES


Cecil Maitland proved himself to be quite a perceptive scholar of modern literature when he found time between attempting suicide, particularly the works of James Joyce, yet very little of Maitland’s written work has survived. Something which has remained is his piece on James Joyce and I make no apologies for re-producing Cecil’s essay reviewing Joyce’s ‘Ulysses’ published in the New Witness (4th August 1922. p. 70-71) as an example of his critical literary analysis:


MR. JOYCE AND THE CATHOLIC TRADITION

… It would be absurd to try to make a thorough analysis of Ulysses in a short article, and I shall not attempt to do so here. For the convenience of readers unacquainted with Mr. Joyce’s early work, I shall try briefly to indicate his place in the modern movement of literature and then to make an analysis of one particular aspect of the book…
This gap between literature and reality Mr. Joyce has tried to fill. An effort of this sort would have been interesting in any case, but Mr. Joyce succeeded in making works of art of his experiments. His first novel tells the story of the infancy, childhood and youth of Stephen Dedalus, an Irish writer, in a style that admits of the presentation of half-thoughts, broken images, emotions, vivid or obscure, and each dirty, profound, trivial or obscene thought that passes through his mind. This book is, however, only a prelude to Ulysses. Masterpiece of compression though it is, the Portrait was experimental. Ulysses shows the author in absolute control of his medium, and with this book he has definitely produced a new form of novel that owes nothing to tradition. A superficial critic might assert that Mr. Joyce owes something of the elasticity of his prose to Sterne. Personally I should not be surprised if he has never read Tristram Shandy. The resemblance between the two writers is more apparent than real, for while Sterne’s style is an affectation, designed to display his wit and conceal his superficiality, Mr. Joyce elicits the subtlest processes of the mind, so that they are actually present to the reader and not merely recorded.
Ulysses is the Odyssey retold, episode by episode, as the story of a day’s life in the streets, pubs and brothels of Dublin, and is an attempt to give a complete account of the nature of man. It is apparently almost miraculously successful, for he has reproduced the minds and impressions of his characters so vividly that the reader finds difficulty in separating his consciousness from theirs; and thus his conception of humanity from the author’s, the boundaries of whose imagination become his own. The boundaries are very wide; at times Mr. Joyce gathers the thoughts of his characters into a whole that represents the consciousness of Dublin; but though municipal they are not cosmic. Indeed, these frontiers of the imagination are very rigid, for though there is in this book enough fun to make the reputation of a dozen humorous writers, there is no hint of a conception of the human body as anything but dirty, of any pride of life, or of any nobility but that of a pride of intellect. This vision of human beings as walking drain-pipes, this focussing of life exclusively round the excremental and sexual mechanism, appears on the surface inexplicable in so profoundly imaginative and observant a student of humanity as Mr. Joyce. He has, in fact, outdone the psycho-analysts, who admit ‘sublimation’, and returned to the ecclesiastical view of man.
There is an idea prevalent among English Catholic converts, Roman and Anglican, that the Catholic life is one of simple devoutness, tempered by beer, carols and jollity in public houses, with perhaps an occasional good fat sin to be expiated by a thumping penance thrown in. These devout souls will probably gasp incredulously at being told that Aquinas would probably be more at home with Freud than, for instance, Mr. G. K. Chesterton. No one, however, who is acquainted with Catholic education in Catholic countries could fail to recognise the source of Mr. Joyce’s ‘weltanschauung’. He sees the world as theologians showed it to him. His humour is the cloacal humour of the refectory; his contempt the priest’s denigration of the body, and his view of sex has the obscenity of a confessor’s manual, reinforced by the profound perception and consequent disgust of a great imaginative writer.
If we consider Mr. Joyce’s work from this point of view, it becomes clear that while his study of humanity remains incomplete, the defect is not due to any inherent lack of imagination on his part. Rather it arises from the fact that to a Catholic who no longer believes that he has an immortal soul, fashioned in the image of God, a human being becomes merely a specially cunning animal. I suggest then that Mr. Joyce’s failure is not his own, but that of the Catholic system, which has not had the strength to hold him to its transcendentalism, and from whose errors he has not been able to set himself free. (43)


On 28th August 1923 Mary and Cecil completed their joint novel ‘Backwards from Babylon’ before Cecil went to Paris with Mary in November and then on to Florence for four months. Mary’s friend, the artist, Stella Bowen (1893-1947) gives a charming description of Maitland at a party while in France during 1924 – ‘Once at midnight as I was coming up from the dungeon with a dish of hot dogs, I saw through the open front door that Maitland was in the garden with his face all covered with blood. Now Maitland was a young man who was said to be always trying to commit suicide, and Mary Butts, who had brought him to the party, was usually able to prevent it. Imagine my annoyance when I saw what I believed to be another attempt, and at my party! I foresaw the police and what it is usual to call “des ennuis”. So when I found that it was nothing worse than a bloody nose, inflicted by a hefty American who had been brought by an English girl who had just come through a particularly sensational divorce with a long list of dazzling co-respondents, I was mightily relieved, and took no further notice. It appeared merely that a person called Pat had smacked Mary unceremoniously as she danced past him, and she had demanded that Maitland should avenge her. But Pat’s friend pointed out that he was much too drunk to defend himself, so the American stepped forward and offered to take Maitland on instead.’ (44)
On 13th November 1924 Cecil dined with Evelyn Waugh in London. (45)
Towards the end of 1924 they were living at 7 St. James Terrace, Regents Park, London, renting rooms from their friend Douglas Goldring and Mary and Cecil’s relationship was beginning to break down, mostly through Cecil’s need for other lovers – ‘Cecil does not care much for me, and is a disappointing man.’ (46)
In January 1925 Mary and Cecil wrote some amusing light verse under the title ‘House Rhymes’, poems which featured Mary, Cecil and Douglas Goldring.
They separated around February 1925 and Goldring casually informs us that Cecil went to live in a Breton fishing village with a group of friends, but the truth is he was probably severely depressed and struggled with suicidal feelings.
James Alexander Cecil Maitland died towards the end of 1926 in Hastings, Sussex; he was 34 years old. (47) Goldring rather delicately tells us in ‘South Lodge’ that he died in London of consumption, complicated by alcohol, with only one of his old friends to look after him (p. 164) but the fact of the matter is that Cecil took his own life and when Goldring told Mary in early December 1926 of Cecil’s suicide, ‘for the next few days she was stunned.’ (48) She realised that Cecil had been the greatest love of her life and following his death he would assume an almost saintly reverence; loved more in death than in life it seems. Cecil was a delicate man and life events took an unfortunate toll on his frail mind, as the suicide of his friend Johannes had done. But 1926 would prove too much for him, having lost Mary and just a few months before this his father, Ernest. Cecil’s father died on 29th August 1926, aged 69 in Kensington, London (49) and it is my opinion that, already in a fragile state, this was a major contributing factor in his own death.
His mother Annie Barbara Lowson Maitland (nee Roberts) died on 21st January 1941 in Brentford, Middlesex. (50)
Cecil Maitland has proven to be quite an elusive fellow, in life and in death, yet like an exquisite butterfly, perhaps time will help fix him firmly to the page of literature and label him appropriately!




NOTES:

1. South Lodge: Reminiscences of Violet Hunt, Ford Madox Ford and the English Review Circle. Douglas Goldring. 1943. p. 163.
2. South Lodge. Goldring. p. 147.
3. South Lodge. Goldring. p. 155.
4. South Lodge. Goldring. p. 158-9.
5. Birth Record for England and Wales: 1891, volume: 6A, page: 579, affiliate line number: 366. Mother’s maiden name: Roberts.
6. Birth Record for England and Wales: 1862, volume: 1A, page: 505, affiliate line number: 31.
7. Marriage Record for England and Wales: 1891, volume: 1D, page: 11, affiliate line number: 287.
8. 1891 Census for England and Wales: page: 12, reg number: RG12, piece/folio: 2089/10. The head of the household is: Lucy Cook, a single woman and a ‘stationer of fancy goods’ aged 44 (born 1847, Shropshire); she is living with her single sister Elizabeth Cook, an ‘assistant’ aged 41 (born 1850) and their nephew, Tom Cook aged 8 (born 1883) and niece, Rose E Cook aged 10 (born 1881).
9. Birth Record for England and Wales: 1893, volume: 6A, page: 593, affiliate line number: 183. Mother’s maiden name: Roberts. Death Record for England and Wales: April-June 1916, Richmond, Surrey, volume: 2a, page: 592, affiliate line number: 41.
10. 1871 Census for England and Wales: affiliate line number: GBC/1871/0187/0125. Annie’s brothers are: Alexander, 15, born Scotland 1856; George B, 12, born Hampstead 1859; Thomas C, 5, born Hampstead 1866; Stuart, 1, born Marylebone 1870; Annie’s sisters are: Elizabeth H, 13, born Hampstead 1858; Margaret S, 11, born Hampstead 1860; Marion, 9, born Hampstead 1862; Katherine E, 7, born Hampstead; Ada, 3, born Hampstead and Alice M, 2, born Hampstead 1869.
11. 1911 Census for England and Wales: page: 1, reg number: RG14, piece/folio: 3, affiliate record identifier: GBC/1911/RG14/09773/0003/3.
12. Military Records held at the National Archives, Kew: Reference: WO 339/40176. Former Reference in original department: 107643.
13. The London Gazette. 2 April 1915. p. 3252.
14. W.W.1 Service Records. Affiliate number: WO 364; G.S. film number: 007270778, digital folder number: 007270778, image number: 00118.
15. Mary Butts: Scenes from the Life. Nathalie Blondel. 1998. p. 72.
16. Mary Butts: Scenes from the Life. Nathalie Blondel. 1998. p. 72.
17. The Journals of Mary Butts. Nathalie Blondel. 2002. p. 144.
18. The Journals of Mary Butts. Nathalie Blondel. 2002. p. 144.
19. 2nd April 1920. The Journals of Mary Butts. Nathalie Blondel. 2002. p. 145.
20. 7th May 1920. The Journals of Mary Butts. Nathalie Blondel. 2002. p. 152.
21. Elsa Lanchester, Herself. Elsa Lanchester. 1983. p. 65-66. The following quotes pages 66 and 67.
22. The Journals of Mary Butts. Nathalie Blondel. 2002. p. 155.
23. Mary Butts letter to her Aunt Ada Briggs. 21/22 July 1920, quoted in ‘Mary Butts: Scenes from the Life.’ Nathalie Blondel. 1998. p. 85-86.
24. The Journals of Mary Butts. Nathalie Blondel. 2002. p. 166.
25. Death Record for England and Wales: July-Sept 1920. Kensington, London. volume: 1a, page: 132, affiliate line number: 138. The Inquest took place on Friday 16th July 1920 at Kensington Coroners’ Court. ‘Dr. Marks Golding, of Dawson Place, who was fetched, said death was due to poisoning by cyanide of potassium. Witness had attended the deceased for a year, and, in his opinion, he was insane and suicidal, especially since the death of the girl he was engaged to. Mr. Oswald said the young man was evidently contemplating the idea of his death with pleasure and recorded a verdict of ‘Suicide during temporary insanity.’ (The Kensington Express, Notting Hill and West London Examiner. 23 July 1920. p. 3) [Probate 23 August 1920. Grahamstown, Albany, Cape Province, South Africa]
26. 12 Aug 1920. Mary Butts: Scenes from the Life. Nathalie Blondel. p. 87.
27. The Confessions of Aleister Crowley. p. 881.
28. The Confessions of Aleister Crowley. p. 880.
29. Switchback. Brian Lunn. 1948. p. 131-2.
30. Mary Butts: Scenes from the Life. Nathalie Blondel. 1998. p. 96.
31. Laughing Torso. Nina Hamnett. 1932. P. 174.
32. Laughing Torso. Nina Hamnett. 1932. P. 174.
33. The Journals of Mary Butts. Nathalie Blondel. 2002. p. 179.
34. The Confessions of Aleister Crowley. Edited by John Symonds and Kenneth Grant. 1969. (1989 edition p. 879)
35. Mary Butts: Scenes from the Life. Nathalie Blondel. 1998.  p. 102.
36. Mary Butts: Scenes from the Life. Nathalie Blondel. 1998. p. 105.
37. The Great Beast. John Symonds. 1951. Chapter 19: ‘Cakes of Light for Mary Butts’. (1973 edition p. 299)
38. The Confessions of Aleister Crowley. Edited by John Symonds and Kenneth Grant. 1969 (1989 edition p. 879-880)
39. The Great Beast. John Symonds. 1951. Chapter 19: ‘Cakes of Light for Mary Butts’. (1973 edition p. 299-300)
40. Perdurabo: the Life of Aleister Crowley. Richard Kaczynski. 2002. [revised and expanded edition. 2010. p. 373]
41. Laughing Torso. 1932. Nina Hamnet. p. 177
42. South Lodge: Reminiscences of Violet Hunt, Ford Madox Ford and the English Review Circle. Douglas Goldring. 1943. p. 148.
43. ‘Mr. Joyce and the Catholic Tradition’ by Cecil Maitland. New Witness. xx. 4 Aug 1922. p. 70-71. See ‘James Joyce the Critical Heritage, volume I, 1902-1927, ‘Cecil Maitland on the Catholic Tradition’. Edited by Robert H. Deming. 1970. p. 272-273 and ‘James Joyce: A Definitive Biography’. Herbert Gorman. 1941. (1949 reprint, p. 293-294). [also quoted in ‘South Lodge’. Douglas Goldring. 1943. Chapter xii, ‘Mary and Cecil’. p. 162]
44. Drawn from Life. Stella Bowen. 1941. (1984 edition p. 121).
45. The Nineteen Twenties. Douglas Goldring. 1945. P. 159-160.
46. Mary Butts: Scenes from the Life. Nathalie Blondel. 1998. p. 137.
47. Death Register for England and Wales: Oct-Dec 1926. volume: 2b, page: 14, affiliate line number: 51
48. Mary Butts: Scenes from the Life. Nathalie Blondel. 1998. p. 174.
49. Death Register for England and Wales: July-Sept 1926. volume: 1a, page: 175, affiliate line number: 117 [Probate: 18 September 1926. Middlesex]
50. Death Register for England and Wales: Jan-March 1941. Volume: 3a, page: 603, affiliate line number: 74 [Probate: 27 March 1941. London]